穷极潦倒的克莉丝汀凯瑟琳·弗洛 饰寂寞地穿梭在巴黎市街日复一日地寻找食物银行的补给品维生在一个天寒地冻的冬日八岁小男孩苏力玛哈玛杜雅法 饰站在她的栖息之处哭泣询问后克莉丝汀发现苏力跟母亲走散了而两人的相似处境让她们一同步上充满了爱与希望的寻亲之旅共同勇闯巴黎的地下世界试图寻找苏力的母亲
In Uruguay, they don#39t say cheese in front of the camera they say whisky Beneath the artificially photographed smiles, however, is a blueprint for the quotSouth American Gothic,quot minus the farm and the forks These Montevidean folks#39 stony expressions belie a life gripped frozen by accustomed routines So it goes with an old Jewish bachelor who owns an ageing sock factory When his estranged younger brother decides to visit for their mother#39s burial, he asks his employee Marta to pose as his wife The resulting encounter creates clumsy silences that are uncomfortably comic Grand Prize, Tokyo Film Festival and FIPRESCI prize from Cannes 這一代的年輕人真係好老成好cool兩個新導演還不到三十便已拍出型到飛起黑色到痺的老人寂寞晚境話說襪廠老闆阿積孤家寡人寂寞到死一天飛來鴻雁巴西的弟弟話來拜訪他要表面風光唯有求忠厚下屬瑪泰暫充老婆兩個名字同樣叫孤獨的六十幾歲人忽然親近彆扭得不在話下口若懸河的巴西弟弟一出現畫面調子大轉彎三人海邊度假瑪泰沉睡的神經率先波動往後發生的事估都估唔到郭利斯馬基式冷面幽默扭橋扭到熱帶南美黑色照舊輕描淡寫功力同樣高超另一種風情絕對原創去年康城驚艷連奪國際影評人獎及原創觀點大獎 Source 29th HKIFF 2005
